Photos of the Week 2025: Submit Your Top Shots and Get Featured!

Photos of the Week 2025: Submit Your Top Shots and Get Featured!

AP Picture of the Week: Celebrating Photographic Excellence

The Associated Press (AP) Picture of the Week is a prestigious photography contest that showcases the best images captured by photographers around the world. Each week, three to four photographs are selected for publication in the AP's Good to Share segment, with one image chosen as the overall Picture of the Week.

The winner of the Picture of the Week receives a beautifully framed print of their winning image, valued up to £100, sponsored by ThisPicture for the 2024-2025 period. The contest aims to promote photographers via social media exposure and print publication, as much as the prize itself.

The history of winners and prizes over the years is not publicly detailed in recent sources. However, the current format involves weekly selections published both in the magazine and on social media, and the winners are showcased on the AP website regularly.

Here are some recent examples of winning images from the AP Picture of the Week:

• Week 18: "Calla Lily Love" by Shauna Hogg, taken using a Fujifilm X-H2, XF 56mm F1.2, with settings of 1/4sec at f/9.0, ISO 200.
• Week 24: "Damselfly's Lunch Break" by Adam Jones, taken using a Canon EOS 90D, Canon EF 100mm f/2.8 Macro IS USM lens (with Godox V860III flash, and AK Macro Diffuser), with settings of 1/250sec at f/10, ISO 100.
• Week 11: "Icelandic Nights" by Jacob Starr, taken using a Canon EOS 2000D, Canon EF-S 18-55mm IS II, with settings of 10sec at f/3.5, ISO 1600.
• Week 47: "Disconnection" by Poultry_Motion, taken using a Sony Alpha 1, Sigma 85mm F1.4 DG DN, with settings of 1/4sec at f/16, ISO 800.
• Week 16: "Stonechat at Sunrise" by Gareth Clifford, taken using a Canon EOS R6 Mark II, Canon EF 70-200mm f/2.8L IS USM II + Canon Extender EF 1.4x III, with settings of 1/2000sec at f/4, ISO 4000, 280mm.
• Week 14: "Ethereal Dawn at Winnats Pass" by Benjamin Steele, taken using a DJI Mavic Air 2, 4.5mm, with settings of 1/1000sec at f/2.8, ISO 100.
• Week 2: "The Beast of Glendale" by Tsara Stewart, taken using a Sony A7R IV, Tamron 28-75mm f/2.8, with settings of 1/3200sec at f/2.8, ISO 400, 75mm.
• Week 52: "Duality" by Julie Spokes, taken using a Fujifilm X-H2S, Fujifilm XF 18-135mm, with settings of 1/70sec at f/10, ISO 1600.
• Week 17: "Tranquil Waters" by Scott Tovell, taken using a Sony A7R V, 70-200mm F4 G OSS, with settings of 1/60sec at f/13, ISO 100, 80mm.
• Week 39: "Sunsets at Papagayo" by Kyle McKeown, taken using a DJI Air 2S drone, with settings of 1/80sec at f/2.8, ISO 100.
• Week 12: "Cleadon Windmill Under the Stars" by Andy Wilkinson, taken using a Sony A7 IV, Sigma 24-70mm F2.8 DG DN II, with settings of 4sec at f/2.8, ISO 1000, 24mm.
• Week 48: "Poppies at Dawn" by Chloe Miller, taken using a Canon EOS 7D Mark II, 70-300mm, with settings of 1/500sec at f/5.6, ISO 1000.
• Week 10: "Tranquil View of Matterhorn from Riffelsee" by Riz Ubungen, taken using a Sony A7 IV, Sigma Art 24-70mm F2.8 Version 1, with settings of 1/250sec at f/5.6, ISO 80, 80mm.
• Week 46: "Interstellar Visitor" by Goran Loncar, taken using a Canon EOS R6, Canon EF 16-35mm F4L and Move Shoot Move tracker. Sky: 10 photos, 120sec at f/4, ISO 1250, 16mm, Foreground: 3 photos, 196sec at f/4, ISO 2500 + 1 photo, 30sec at f/4, ISO 10,000. Stacked in Sequator and edited in Photoshop.
• Week 43: "Silver Shadow II" by Fred Ostrovskis-Wilkes, taken using a Pentax SFXn, SMC Pentax-DA 50mm F1.8, Kodak Gold 200.
• Week 50: "Punctate" by Will Plunkett, taken using a Nikon D850, Nikkor 24-70 F2.8 VR, with settings of 1/4sec at f/7.1, ISO 400, 70mm.
• Week 7: "New Year's Princess" by Natalia Zmyslowska, taken using a Canon EOS R, Sigma 35mm F1.4 DG HSM | Art, with settings of 1/320sec at f/2.2, ISO 12,800, 35mm.
• Week 38: "Kaleidoscope Vision" by Shadman Sakib, taken using a Sony Alpha 7C II, Sigma 18-35mm F1.8 with MC11 adapter and kaleidoscope lens filter, with settings of 1/200sec at f/1.8, ISO 250.
• Week 21: "Green Shield Bug, Master of Camouflage and Quiet Survival" by Louise Scriver, taken using a Canon EOS 90D, Canon 100mm f/2.8L Macro lens, with settings of 1/250sec at f/5.6, ISO 100.
• Week 34: "Layered Leaf" by Effy Varley, taken using a Canon EOS R6, 24-70mm, with settings of 1/400sec at f/4, ISO 12,800.
• Week 13: "The Narcissist" by Dan Cook, taken using a Canon EOS R5, Canon RF 100mm F2.8, with settings of 1/640sec at f/2.8.
• Week 29: "Saefern #2" by James Kelly-Smith, taken using a DJI Mini 4 Pro 4, with settings of 1/320sec at f/1.7, 100 ISO.
• Week 33: "Taking Refuge" by Daniel Fildes, taken using a Nikon D500, Sigma 10-20mm F3.5, Ikelite 200DL Dive housing, with settings of 1/1000sec at f/8, ISO 1600.
• Week 30: "Morning Stretches" by Tracy Akehurst, taken using a Canon EOS R5 with RF 100-500mm and 1.4x extender, with settings of 1/500sec at f/11, ISO 3200, and a focal length of 700mm.
• Week 35: "Frozen in flight - Barn Owl at Dusk" by David Robertshaw, taken using a Nikon Z9, Nikon NIKKOR Z 600mm f/4 TC VR S, with settings of 1/125sec at F6.3 ISO 1000.
• Week 20: "Boost of Energy at the Finish" by Denislav Dobtchev, taken using a Leica Q (Typ 116), 28mm, with settings of 1/500sec at f/11, ISO 250.
• Week 4: "May Your Days be Berry and Bright" by Grace Kinney-Broderick, taken using a Canon EOS 5D Mark IV, Sigma 160-600mm Contemporary lens, with settings of 1/1250sec at f/6.3, ISO 3200.
• Week 5: "Frosty Morning at Penshaw Monument" by Shannon Clarke, taken using a DJI Mini 3 Pro, with settings of 1/1000sec at f1.7, ISO 100.
• Week 45: "Ely Cathedral in Early Morning Light" by Glynis Pierson, taken using a DJI Mini 4 Pro, with settings of 1/320sec at f/1.7, ISO 150.
• Week 36: "Camassia Meadows" by Jasmine Palmer Armstrong, taken using a Nikon D5600, Sigma 105mm F2.8 EX DG Macro, with settings of 1/1250sec at f/4, ISO 500.
• Week 22: "Sweet Moment" by Claire Norman, taken using a Nikon Z7, 70-200mm, with settings of 1/2500sec at f/4, ISO 800, at 200mm.
• Week 6: "Low Light, Slow Flight" by Sarah Michelle Wyer, taken using a Nikon Z7II, Nikkor Z 100-400mm VR S, with settings of 1/20sec at f/5.6, ISO 640.
• Week 26: "The Silent Beacon" by Mark Richards, taken using a Canon EOS 6D Mark II, Tamron 70-200mm f/2.8 at 80mm, with settings of 90sec at f/29, ISO 100, and a 10-stop ND filter.
• Week 25: "Canopies of Light" by Sally Brake, taken using a Canon PowerShot G7 X, with settings of 1/400sec at f/11, ISO 640.
• Week 9: "Through the Keyhole" by John Wakeling, taken using a Nikon Z5, Nikkor Z 14-30mm f/4 S, with settings of 0.6sec at f/11, ISO 100, 24mm.
• Week 27: "Pink Echoes on the Atacama" by Grant Sloane, taken using a Fujifilm X-T4, XF 55-200mm, with settings of 1/2700sec at f/6.4, ISO 320, and a focal length of 77.9mm.
• Week 42: "Cormorants at Sunset" by Adam Spruce, taken using a Canon EOS 7D Mk II, Sigma 150-500mm, with settings of 1/1000sec at f/6.3, ISO 400.
• Week 3: "Cold Snap" by Alec Waters, taken using a Nikon Z7II, Nikkor Z 24-70mm f/4 lens, with settings of 1/10sec at f/11, ISO 64, 24mm.
• Week 23: "The Turbine Hall, Tate Modern, 2025" by Declan Andrews, taken using a Nikon F, Fomapan Action 400.
• Week 28: "Backseat Drivers" by Dominic Proctor, taken using a Sony A6700, Sony FE 200-600mm F5.6-6.3 G, at 600mm, 1/800sec at f/8, ISO 1250.
• Week 32: "Red Dawn" by Chris Thomson, taken using a Nikon D810, Tamron SP 24-70mm f/2.8, with settings of 8sec at f/11, ISO 50.
• Week 31: "Stay on your Chosen Path" by Lewis Jones, taken using a Sony A7 IV, Sigma 85mm F1.4, with settings of 1/800sec at f/3.2, ISO 200.
• Week 30: "A Peacock's Emerald Tapestry" by Noah Crick, taken using a Panasonic Lumix G9, Sigma 60mm, with settings of 1/800sec at f/2.8, ISO 100.
• Week 44: "Loch Maree" by Connor McLaren, taken using a Canon EOS 5D Mark IV, 24-105mm lens, with settings of 1/10sec at f/11, ISO 100.
• Week 41: "Spread Your Wings!" by Connor Hill, taken using a Sony A7 IV, Sony FE 200-600mm F5.6-6.3 G OSS, with settings of 1/800sec at f/7.1, ISO 1000.
• Week 49: "Autumnal Slumber" by Amy Compton, taken using a Sony Alpha 7 IV, Sony 200-600mm F5.6-6.3, with settings of 1/50sec at f/6.3, ISO 500, 600mm.
• Week 19: "Gannet In Gold" by Natasha Martin, taken using a Fujifilm X-T3, Fujinon XF 100-400mm 4.5-5.6, with settings of 1/500 sec at f/5.6, ISO 400, 400mm.
• Week 8: "Chaffinch Hierarchy" by David Twomey, taken using a Sony A7R III, Tamron 150-500mm F/5-6.7 Di III VC VXD, with settings of 1/6400sec at f/6.7, ISO 3200, at 500mm.
• Week 37: "Geese in Flight" by Louis-James Gasson, taken using a Sony Alpha 58, Sony DT 16-80mm F3.5-F4.5 ZA, with settings of 1/6sec at f/8, ISO 100.
• Week 1: "Solitude in the Shadows" by Dobrota Viorel-Daniel, taken using a Canon EOS 70D, Canon 17-55mm, with settings of 1/80sec at f/4, ISO 100.
• Week 15: "Dragon Eye" by Slawek Zabron, taken using a Canon EOS R5, 14-35mm, with settings of 1/13sec at f/16, ISO 100.

For more information about the AP Picture of the Week, visit the Associated Press website.

1. The prestigious AP Picture of the Week contest, which selects the best images captured weekly, involves photographers using various types of equipment such as Fujifilm X-H2, Canon EOS 90D, and Sony Alpha 1.
2. The culture and lifestyle sector is not excluded from the contest as seen in entries like "New Year's Princess" and "Sweet Moment", which were taken with Canon EOS R and Nikon Z7 respectively.
3. In the world of fashion-and-beauty, photographers like Natalia Zmyslowska and Claire Norman use their creative skills to produce winning images like "New Year's Princess" and "Sweet Moment".
4. The food-and-drink industry finds its place in the contest through stunning images taken by photographers like Denislav Dobtchev, who captured "Boost of Energy at the Finish", and Grace Kinney-Broderick with "May Your Days be Berry and Bright".
5. The automotive industry is also represented in the AP Picture of the Week through shots of unique vehicles like "The Beast of Glendale" and "Saefern #2", which were taken with a Sony A7R IV and DJI Mini 4 Pro 4 respectively.
6. Home-and-garden enthusiasts can find inspiration in the images of beautiful gardens like "Camassia Meadows" and "Loch Maree", taken with Nikon D5600 and Canon EOS 5D Mark IV respectively.
7. The technology sector plays a significant role in capturing winning photographs for the AP Picture of the Week contest, as seen in drone shots like "Ethereal Dawn at Winnats Pass" and "Sunsets at Papagayo", taken using DJI Mavic Air 2 and DJI Air 2S drone respectively.

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